Music • Sound • Video • Art

There are two documentaries on Brian Eno that I am aware of and both are outstanding. One is from 1989 and is called Imaginary Landscapes. This is a fantastic look at Eno of nearly 20 years ago. As far as I know, it’s out of print (though a quick search will yield much info). The shots of him in his 1989 workspace alone are worth it, particularly when contrasted with contemporary scenes of his workspace from a very recent BBC4 documentary on Eno entitled Another Green World. (Hint: Everybody is moving “into the box” these days.) For different reasons, the latter documentary is not available for viewing “across the pond” in the US, but info can be found here. Both of these documentaries make for fascinating and highly recommended viewing.

Below is the VHS sleeve for Imaginary Landscape. I can’t figure out why they have not re-released this on DVD…

Front Cover

Rear Cover

(The following is from Mick Karn’s Website.)

“With great sadness we regret to inform you that Mick has recently been diagnosed with advanced stages of cancer. Mick is currently in a positive mood and undergoing further tests and treatment. His family and friends are close with him, supporting him in practical ways, and surrounding him with their love, friendship and care.

Mick has been struggling financially for some considerable time now and we are hoping that this appeal may help to raise funds for any necessary treatment and perhaps go some way towards providing a small degree of financial support whilst Mick’s immediate family provide the care and comfort we would all wish for him. We are hoping that his friends, fans and musical colleagues will, over the coming months, offer any support they feel capable of giving. Quite aside from the sheer brunt of daunting medically-related costs, Mick’s clear and major concern is for the security and well being of his wife and young son.

If you would like to make a donation whether as an individual or as a group, you can do so via the paypal link below which has been set up for this sole and express purpose. Any support you are able to give, no matter how small, could make a difference in helping Mick cope during this difficult period. His friends will be looking at a variety of ways to raise funds.

If you would simply like to leave your kind messages of support for Mick, please do so, here: Messages

We will keep you all updated as often as we can.

Please do note that news is released with Mick’s full approval.

Posted: 3rd June 2010″

I wish Mick and his family the best. Please contribute whatever you can.

I’ve recently bought and started to use Cubase.

Some folks are going to think I am nuts…and they might be right.

After all, (1) Cubase traces its lineage back to 1989 so is pretty “old school” as far as sequencers go…it is one of the apps that helped to establish many of the approaches that define the “traditional” sequencer. (2) I complain constantly about lack of time and information overload and how each reinforce and worsen the other. (3) I also have and use LOGIC9 so why would I want something else?

Well…

1. CUBASE5 is definitely old school in many ways. When I first opened up the fully functional 30-day trial version, I thought “uh-oh”. I had not opened and closed so many windows since DP5 or LOGIC7. There is a plethora of windows and not a unified interface in sight. But I quickly got used to it, and I was able to set up my screen layouts EXACTLY as I liked. Nothing I couldn’t do in LOGIC of course, but my point is that it wasn’t such a burden.
2. After futzing with the demo a bit, I decided to take a chance and nab a CUBASE5 tutorial from MacProVideo on sale. This was definitely the right move as a) the tutorial was a good basic overview, b) I was able to go through it in a couple of days, and c) I learned about the program the “right way” from the get go (i.e., good project management practices, keyboard shortcuts, etc.). This helped to make me efficient and capable with the program from the start. I should emphasize that CUBASE is fairly accessible without going this route particulalrly if you have any history with sequencers. The manual is also very clearly written and available online from within the program.
3. Well, it’s about comfort level and productivity. I feel more comfortable with Cubase than with LOGIC (and this after much use of LOGIC over the last year and many, many, many tutorials). And if you are more comfortable with something, you tend to do better with it. CUBASE also has this wonderful VST Expression feature with which I produced my best key-switched celli performances to date in just a few hours. (Note that I said “my best” and not necessarily “good”.)

Does this mean CUBASE5 is perfect? No. There are times I still miss a unified interface, and the program is not nearly as efficient as LOGIC when it comes to VSTs and using multiple cores efficiently (one of my original complaints about DP). And it does not have FlexAudio. But it is very capable, easy to get to grips with, and there is always hope that CUBASE6 will get to better grips with multi-processor management.

More on specific features, experiences, and results soon.