Posts Tagged ‘ Music Lessons

The Art of “Making Music” Just Opened Up a Bit More: Good or Bad?

MaxForLive is the fusion of Ableton’s Live DAW and Cycling74′s Max visual programming tool. With the two, you can create plugins that bring new capabilities to LIVE8. You can also share these plugins with others. Ableton hopes to create an active MaxForLive community with a rich set of ever new and changing plugins. (Think Native Instrument’s Reaktor5 communities and you’ll get the concept.) Well these things are starting to trickle in.

Here is a potential game changer. A device that renders knowledge of music theory ‘optional’. Watch the whole thing. (Takes about 10 minutes). Seriously, take the time. The end features the guy jamming real time with a long time jazz pianist and DOING QUITE WELL despite the fact that he doesn’t understand “notes, chords, and all that stuff.”

So, is this the continued democratization of music or the further “dumbing down” of musical knowledge? Fascinating.

embedded by Embedded Video

Edit – 12/22/09: There is a really lively discussion / debate / argument going on over at the LIVE forum on the merits (or lack thereof) of this MaxForLive patch. Check it out here.

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Apple as the Savior of Music Literacy?

Apple announced GarageBand 09 on Tuesday. The big news?

Apple has incorporated music lessons into GarageBand.

GarageBand ’09 introduces Basic Lessons: the easiest way to learn piano and guitar, right on your Mac. Follow along at your own pace with interactive lessons that teach you the fundamentals through HD video instruction, synchronized notation, and animated onscreen instruments.

In addition to basic lessons for guitar and piano, Apple also offers “Artists Lessons” ($4.99 additional) wherein someone can learn from current artists how a tune was built, how certain riffs or licks are played, the thinking behind the song structure, etc.

Right now these look to be professionally filmed. And quite frankly, the selection of artists and styles is rather…limited. But I”m sure the selection will grow. Also – and this is exciting — I can see Apple opening this up into an ‘App Store’ sort of marketplace for folks to sell their own lessons. (EDIT: Ars Technica reports that “Additional lessons, celebrity and otherwise, [emphasis added] will be available for purchase within the “Lesson Store” inside the application after it is available to the public.)

Will you get into conservatory based on these lessons? Doubtful. However this is supremely cool IMHO. Consider the following:

  • Schools across the US have cut music electives and programs. Learning how to play an instrument is becoming the purview of the elite.
  • GarageBand has an installed base in the millions — far far outstripping the various pro sequencer applications combined (and these do little to help novices to learn how to play an instrument or how a song is put together anyway).
  • If even a small percentage of GarageBand user dip into the music lessons and begin developing their talents, not only might demand for things related to making music go up, but the level of understanding of music and (hopefully) expectations around quality will also rise. (OK. The last one may be far fetched, but I can dream.)

Bravo Apple.

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More info on GarageBand is available here.

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How Do You Get to Carnegie Hall?

“Practice.”

It’s an old joke, but one that has some truth to it.

After 20+ years with various and sundry keyboards, I finally took the plunge a couple of years ago and started taking formal piano instruction. (If you are interested in music instruction and you live in the DC-MD-VA area, you really owe it to yourself to check out the Levine Music School.) I had always been a proponent of avoiding the “straightjacket of orthodoxy” and discovering music creation on my own or in collaboration with like-minded individuals. I’ve come to the conclusion that it is easier to break the rules if you first know them. And besides, for my personal interests, some of the rules are helpful!

My focus is really on developing my finger dexterity so as to make it easier to write pieces at the piano with more spontaneity. I also am trying to develop a much more formal understanding of theory and harmony as I have aspirations to one day work with film.

But you got to start somewhere, and if you want to also, then Hanon, Hanon Revisited, and Beyer should be your new friends.

The issue of course is finding the time. Between family, the day job, stuff for the blog, and (let’s not forget) my latest project tracks*, I’ve got to find the time to practice. Requires a purposefulness that is … well … more intense.

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