Posts Tagged ‘ Quick Props

Quick Props: Documentaries on Brian Eno

Picture of Brian Eno

There are two documentaries on Brian Eno that I am aware of and both are outstanding. One is from 1989 and is called Imaginary Landscapes. This is a fantastic look at Eno of nearly 20 years ago. As far as I know, it’s out of print (though a quick search will yield much info). The shots of him in his 1989 workspace alone are worth it, particularly when contrasted with contemporary scenes of his workspace from a very recent BBC4 documentary on Eno entitled Another Green World. (Hint: Everybody is moving “into the box” these days.) For different reasons, the latter documentary is not available for viewing “across the pond” in the US, but info can be found here. Both of these documentaries make for fascinating and highly recommended viewing.

Below is the VHS sleeve for Imaginary Landscape. I can’t figure out why they have not re-released this on DVD…

VHS Jacket front cover photo

Front Cover

VHS Rear Cover photo

Rear Cover

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I am beginning to think Diego Stucco may be brilliant….

Diego Stucco is a sound designer and composer, who creates new sound experiences in unusual ways…to say the least. The latest really cool “created instrument” is below.

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I first learned about Diego from a video by Spectrasonics released during the Omnisphere unveiling. Diego is the crazy guy who created an Omnisphere instrument based on samples taken of a burning piano. The video below is a melange of images taken from that effort I believe with a soundtrack provided by the resultant set of samples.

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A bit more informative is this video from 2 years ago where Diego and Eric Persing talk a bit about the sampling techniques used in developing Omnisphere.

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Quick Finds

commercialdiscount

MeldaProductions February Sale – Interesting company and interesting products. Just ported their plugins to the mac I believe. Anyway, they are having a ‘reverse sale’ wherein the discount started at 50% off on the first of the month and decreases each day by 1%. So the discount is 39% off of list as of 11 February. Weird. Anyway, I bought their MCreative suite at the beginning of February and have to say they are really neat and innovative plugins. I’ll try to post some examples later. Well worth checking out.

logicguimod

Amplidood’s DP and Logic GUI mods – Amplidood is a regular contributor over at MOTUNATION. Shortly after DP6 came out to less than rave reviews of the GUI (general consensus was that the interface was much too bright), a group of forum members began to mod elements of the GUI. Amplidood was the most prolific, and he has now set up a website where these mods can be grabbed (for free of course). When I was still using DP, I thought his mods were cool.

Well he recently took on the LOGIC GUI and I really like his tweaks to the interface, so much so in fact that it has become my default. You should check the GUI tweaks out, and if you find any of them useful, you can always give him a donation via paypal. (I did.)

audiomulch

AudiMulch 2.0 — Interesting and innovative software for live performance, audio processing, sound synthesis and music composition. Another recent port to the mac. The trial version is fully functional for a rather generous 60 days. Sort of a mash up of REAKTOR, MAX, and little bits and pieces of a DAW. No proper midi recording and you can’t ReWire it or sync it with a DAW (as far as I can tell at this point.) An interesting app though and pretty approachable…

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QuickProps: Groove3 / Eli Krantzberg’s LOGIC Series

G3-Logic-9-Explained-200x186I am about 3/4 of the way through Logic 9 Explained by Eli Krantzberg (available at Groove3). Eli has put together a thoughtful, well-paced, and logical (no pun intended) introduction to the software. If you are new to LOGIC or moving over to it from another DAW, you will save a lot of time and head scratching by taking the time to go through this set of tutorials. I found it particularly useful in moving over from Digital Performer for instance.

A few pros and cons:

Pros

  • Lessons are chunked nicely at about 8 minutes each on average. This makes them quite “snackable”; It’s easy to grab a lesson or two in the morning or when you have a moment between things.
  • Lessons build on each other. Eli does not make the common mistake of referring to things or concepts not yet covered in his previous lessons, so the confusion factor (especially for someone new to this stuff) is really minimized.
  • He goes at a nice pace and his screen captures are clear and easy to follow.
  • There is no “fluff” or unnecessary banter. He is friendly and informative, not cheesy or overly chatty.

Cons

  • He sometimes says that certain techniques or methods are important to note, but does not take the next step and say why they may be important to note. In some cases it is obvious why it may be important, in other cases, not so much. It would be helpful to provide a little more context.

Like all products of this type, this straddles the line between “training” and “demonstration”. Nevertheless, you can still learn from a well done, well structured demonstration and Eli has definitely put one together. (In my view, training requires some level of interaction with the material. If it is a completely passive experience, it falls more in the realm of demonstration. To bring the interactivity to it, I open LOGIC on a separate monitor and create a parallel project to practice the techniques and methods Eli covers. This works great, and I’ve actually come up with the nub of a couple of pieces I will come back to later for further development!)

There are other videos out there, most notably those offered by MacProVideo. Their LOGIC series is also quite comprehensive. (In particular, I like the Tips N Tricks and Master Class by Steve Horlick.) However, for an introduction and explanation of LOGIC, I find Logic 9 Explained to be a more straightforward and useful offering than its MacProVideo counterpart. I also find the Groove3 web-based interface to be much more stable than MPV’s customized “feature-filled” player.

I’m looking forward to checking out the rest of Eli’s series.

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Quick Props: Luftrum and the release of the Luftrum 3 Refill

Luftrum is an artist who produces ambient musics, minimalistic soundscapes, field recordings, and (thankfully) amazing Reason4 refills. He makes some of his field recordings available from his website and freesound.org under a Creative Commons license. He also has a project (“Music for Films”) underway wherein he posts tracks for listening as they are done.

Luftrum Website

Luftrum Website

In any case, his refills are fantastic. As he describes Luftrum 3 on his site “For ambient composers into deep listening and no-beat drone music in the likes of Biosphere, Klaus Schulze, The Orb, Tangerine Dream, early Brian Eno, Steve Roach and Robert Rich.” (Since you will find many of these same artists in my “Artist Quilt” to the right, I am understandably stoked.)

A description of the content is provided below.

LUFTRUM 3
95 Dr.Rex loops  (318 Mb) + 45 Ambient Pads for Thor

52 Old Movie Conversation
45 Ambient Pads for Thor
15 Soundscapes & Drones
12 Spoken Dialogue
10 Atmospheric Pad Loops
6 Field Recordings

Luftrum 1, 2 & 3 are available together for $39! By all means check it out.

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Quick Props: Adam Fielding

Just wanted to mention very quickly that Adam Fielding has released his CD Distant Activity on Magnatune.

Adam Fielding br Distant Activity

Adam Fielding Distant Activity

I don’t know Adam personally, but I am familiar with his work for Jeremy Janzen over at Nucleus SoundLab. Adam contributed a number combinator patches to both Viral Outbreak and ReCombination. His combinators are a marvel of design — beautiful sounding and very functional. (You can see some of them in Jeremy’s video demos of both refills.)

Distant Activity is not my “usual cup of tea” as my personal tastes tend toward instrumental tracks (whatever genre), and this is mostly a quasi – ambient (inadequate term please suggest one), somewhat beat-oriented collection of songs with well-crafted vocals. It’s less ambient than I would have expected based on my limited knowledge of Adam, but this excerpt from his bio on Magnatune highlights how limited that knowledge was:

“Although Adam’s earlier tracks were geared more towards industrial and VGM styles while taking an interest in metal and post-hardcore music, his style would later evolve to encompass a wide variety of sub-genres including dance, ambient, synthpop, downtempo, breaks and neo-classical styles while retaining his unique production style and melodic focus.”

Obviously, a multi-talented guy. You’ll find the player on the next page. I like track 6 in particular. (Then again, it’s the only pure instrumental track so it figures.)

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